I've been busy, in pockets of free time, seamstressing up a storm! I would definitely classify myself as a beginner seamstress, but I love the way that needle and thread and a few judicious cuts can transform handwoven cloth into something even more lovely to wear and to use. So in the coming months, I plan to spend more time making friends with the sewing machine so we can continue to have a variety of items for sale!

Good Night Moon Handwoven Baby Blanket | 14 Mile Farm Handwoven Babywearing Wraps and Heirloom Textiles

I've got three pieces for sale for you today: these two baby blankets made from the Good Night Moon warp, and also an alpaca doublewoven cowl! They are all being offered via draw to purchase. The draw is closed.

This baby blanket measures 28" x 29" and was woven with tartan color play wefts. Sections of green weft alternate with section of brown and yellow weft for an overall gradation. 100% cotton warp and weft, 100% cotton backing.

It is backed in cow jumping over the moon quilter's cotton fabric.

The two layers of handwoven and quilter's fabric make for a nice and light in-hand feel, with enough softness and mouldability to tuck around a sleeping baby.

The two layers are joined with a random stripe pattern of vertical quilting lines. You can also see here that the backing is in two joined pieces.

There are two spots where the handwoven top 'caught' in the quilting process, making for a minute bunching of the fabric that is tied down by the stitching. It was a good learning point for me! I'm pretty sure I know how to make it not happen again for the next batch of baby blankets!

This baby blanket is larger, measuring 27" x 37.5". It is also a warmer blanket, with a layer of 100% cotton quilt batting between the top and the backing. Its a fluffy soft blanket, perfect for a chilly evening or car ride!

The warp is 100% and the weft is a natty hemp/cotton blend that will only get softer and softer as the blanket is loved!

Rather than being quilted, the layers are tied together with the same cotton yarn as the warp.

Doubleweave Alpaca Cowl | 14 Mile Farm Handwoven Babywearing Wraps and Heirloom Textiles

This cowl is woven of 100% alpaca yarn in a deflected doubleweave pattern. I wove this fabric a number of years ago, the warp was designed by my teacher Penny Wakefield.

One of the wonderful things about deflected doubleweave is that it can create a VERY warm fabric. The interlacement of the two layers creates many small air pockets that act as extra insulation. It is definitely an Alaska-worthy scarf!

The cowl is lined with 100% cotton jersey in a royal purple. The alpaca is just scratchy enough that you'll appreciate the softness of the cotton against your skin! This is absolutely a handwash-only item.

The contstruction of the lined cowl was a bit of an experiment for me. From the outside it looks like perfection itself, but close scrutiny of the inner seams shows a little bit of ahem creative sewing!

Rainbow yarns interlace with undeyed dark brown and cream alpaca yarn. This cowl measures a generous 32" in circumference and is 7.5" tall.

This fall I participated in the Great Competition of Weavers . It was so so so much fun, and a really useful kick in the rear end to sit myself down at the loom! It is a competition of weavers of babywearing wraps from all over the world. If you are interested in such things, or would like to vote the next time around, go join Loom to Wrap on Facebook and keep an eye out for the 2016 competition(s).

Good Night Moon Handwoven Babywearing Wrap | 14 Mile Farm Handwoven Baby Wraps and Heirloom Textiles

The theme this time was "Children's Literature." Honestly, I was a little bit on the fence about whether I wanted to enter this fall. I had only just found out about it, and with the baby on the way, I was debating the wisdom of diving quite so headfirst into such a project. But when the theme was announced, I knew there was no choice. I had to do it. And I had to do "Good Night Moon" by Margaret Wise Brown. I have to admit that I second guessed myself a number of times, most notably perhaps when the yarn showed up at my door. The bright and primary colors used to illustrate "Good Night Moon" are SO not my colors. I almost threw in the towel right then. But I'm so glad I didn't.

I was an English major in college, and as such the word 'literature' has certain connotations for me. I recognize that the genre of "children's literature" contains any story for children that is printed on a page and disseminated in the form of a book. But for me, not any story would do. Literature is somehow something more. And you see, "Good Night Moon" taught me to read. It was therefore the only book I could do.

I don't have any memory of not being able to read. I remember not being able to write. I have memories from an age at which I know that I was not yet reading. But I have no memory of written words as a code that I did not understand. My mother read "Good Night Moon" to me over and over. Hundreds if not a thousand times or more. She tells me that I had it memorized, that I would "read" it to friends and visitors before I had actually acquired reading as a skillset. But between being read other books (lots of them! all the time!) and a constant repetition of "Good Night Moon," I decoded written language and began reading on my own at age 3 or so. So in a very real way, beyond being a great kids book, "Good Night Moon" opened my doors to the vast and wonderful world of literature.

I wanted to honor the words of the story, somehow pay homage to the code of the writing that this book illuminated for me. So in addition to choosing the colors of the book for the pattern of the warp, I decided to weave the story into the weft. The weft alternates between black and white, and by a very happy accident this alternation along with the stripes in the warp combine for a gorgeous tartan effect.

I assigned each letter in the alphabet a number, 1 through 26. I assigned the spaces between letters the value of 2 and the spaces between words the value of 5. And I proceeded to weave the letters in black and the spaces in white, spelling out the text of the story. So if you were to spend the time counting the threads of the wrap or happened to have a scanner with the correct programming, the wrap can be read similarly to a bar code from tail to tail. It begins "In the great green room...."

The colors of the warp are pulled from this page:

They are a stylized representation, perhaps a distillation, of the patterns of color as they move across the page (and across the width of the warp) from left to right. You can see the stripes of green and yellow for the curtains, the little rainbow for the bookshelf on one side, and the blue and white stripes of the bunny's pajamas on the other side.

All in all, I'm very happy with how the design turned out. I hope that someone enjoys the tartan wrap as a staple of an autumn wardrobe, as a Christmas-y accessory, or on a future trip to Scotland! I'll be selling it via draw real soon on the 14 Mile Farm Facebook page.

"Goodnight room, goodnight moon, goodnight cow jumping over the moon."